Thursday, December 29, 2011

In the Absence of Truth

In the Absence of Truth Review



With a musical trajectory that spans nearly a decade, ISIS has emerged from the frozen recesses of New England to become an internationally renowned force in underground music. Critically revered as the vanguard of "art metal," the band has consistently exploded the idiomatic strictures that have traditionally defined heavy music, with each new release expanding and improving upon the innovations of its predecessor. Produced and recorded with the utmost clarity and fidelity by longtime ISIS co-conspirator Matt Bayles at the Bomb Shelter in downtown Los Angeles, In The Absence Of Truth is a living, breathing panorama of soaring melodies, dizzying rhythmic ziggurats and seismic heaviness. In The Absence Of Truth is ISIS' first record in two years following the highly successful Panopticon (scanned 23K+, still scanning well over 100 a week) and 2002's Oceanic (scanned 21K+, still scanning close to 100 a week). Currently on tour with TOOL with a full national ISIS headlining tour in the works.


Wavering Radiant

Wavering Radiant Review



The music of ISIS is a suitable metaphor for their twelve-year career: patient, meticulous, fraught with tension and gradually building towards an apex of seismic proportions. From the hypnotically bludgeoning down-tuned riffs of their early years to the gracefully sprawling passages on their pivotal sophomore album Oceanic and continuing through the intricate rhythmic textures and increased melody of 2006's In The Absence of Truth, ISIS have successfully navigated the process of growing and evolving without disavowing their initial vision.

There is no consensus among ISIS' cult-like fan base as to which album serves as the ultimate document of their art. Each record is a piece in the puzzle. Consequently, to brand their latest offering, Wavering Radiant, as the pinnacle of their achievements would be folly. Yet it's a tempting proclamation. The factors that defined ISIS in the past are still present, but the band manipulates its tactics and strategies with a refined sense of purpose and a heightened knack for nuance. They've extrapolated on the polar nature of their music. It's simultaneously their most challenging and accessible music to date. While Wavering Radiant is finely structured, dynamically varied, and melodically developed, it's also unpredictable, expansive, and densely layered. Every ISIS endeavor is an active listening experience -- requiring an aficionado's ear for subtlety and a scholar's grasp of the larger picture, but Wavering Radiant manages to provide instant gratification while also harnessing the slow burn of a classic, revealing the full extent of its mysteries only after repeated listens.

Rare is the record that finds the individual players as compelling as the sum of their parts, and ISIS has achieved just that. While the monolithic guitars of Aaron Turner and Michael Gallagher remain a primary fixture in the ISIS soundscape, the dueling instrumentalists continue to develop and expand upon their interplay. Together they evoke the emotional range of Wagner: brooding, triumphant, vengeful, and morose. Aaron Turner's vocals are more prominent than ever. But in keeping with the egalitarian nature of their art, the vocals continue to serve as flourishes rather than a focal point. Clifford Meyer's multi-instrumentation duties play a stronger role this time around as well. His atmospheric textures are still present, but he unlocks new horizons for the band with Fender Rhodes, electric organ, and the occasional psychedelic guitar lead. Jeff Caxide's bass playing still covers a broad spectrum, from providing melodic counterpoints to the guitars to conjuring Peter Hook's chorused bass leads. Wavering Radiant finally gives Caxide his due, allowing his various approaches to further accentuate the music's shifting moods while anchoring the melodies into the formidable rhythm section. And here drummer Aaron Harris once again shows his expansive depth in technique and ability. From esoteric tabla passages to authoritative syncopated punctuations, Harris transcends the basic metronomic function of the drum set to imbue the percussive element of the band with a heightened sense of drama and power. Wavering Radiant finds every component of the ISIS armory coming into equal play.

Grandiose without being over-indulgent, epic without compromising focus, ISIS have resurrected the art of prioritizing the album over the individual songs. Wavering Radiant, though divided into seven pieces, is essentially one composition. It's difficult to listen to the record without feeling the ghost of an era in rock music where musicians weren't afraid to take chances, weren't concerned with pandering to short attention spans, and weren't compelled compact their material into a radio-friendly format. With producer Joe Barresi (Queens of the Stone Age, Melvins, Enslaved) behind the boards, the recording displays a sonic range and tonal depth in perfect step with the broad range of the band's capabilities. This is an audiophile's dream: rich in headphone candy, goose-bump inducing in its crescendos, majestic in its beauty, humbling in its devastating power. If radio still exists in 30 years, Wavering Radiant is the kind of record that obsessive DJs will play in its entirety during their graveyard shifts. But the huddled mass of ISIS enthusiasts are already celebrating its arrival.


Wednesday, December 28, 2011

Mozart: Die Zauberflote (The Magic Flute - Prima Voce Series) / Beecham, Strienz et al

Mozart: Die Zauberflote (The Magic Flute - Prima Voce Series) / Beecham, Strienz et al Review



Composer: Wolfgang Amadeus Mozart Conductor: Walter Grossmann, Bruno Seidler-WinklerPerformer: Wolfgang Amadeus Mozart, Walter Grossmann, Sir Thomas Beecham, Wilhelm Strienz, Helge Roswaenge, Erna Berger, Tiana Lemnitz, Gerhard Husch, Irma Beilke, Heinrich Tessmer, Berlin Philharmonic Orchestra, et al. Orchestra: Berlin State Opera Orchestra, Berliner Philharmoniker, et al. Number of Discs: 2 Playing Time: 69 minutes


Tuesday, December 27, 2011

Wavering Radiant [Vinyl]

Wavering Radiant [Vinyl] Review



The music of ISIS is a suitable metaphor for their twelve-year career: patient, meticulous, fraught with tension and gradually building towards an apex of seismic proportions. From the hypnotically bludgeoning down-tuned riffs of their early years to the gracefully sprawling passages on their pivotal sophomore album Oceanic and continuing through the intricate rhythmic textures and increased melody of 2006's In The Absence of Truth, ISIS have successfully navigated the process of growing and evolving without disavowing their initial vision.

There is no consensus among ISIS' cult-like fan base as to which album serves as the ultimate document of their art. Each record is a piece in the puzzle. Consequently, to brand their latest offering, Wavering Radiant, as the pinnacle of their achievements would be folly. Yet it's a tempting proclamation. The factors that defined ISIS in the past are still present, but the band manipulates its tactics and strategies with a refined sense of purpose and a heightened knack for nuance. They've extrapolated on the polar nature of their music. It's simultaneously their most challenging and accessible music to date. While Wavering Radiant is finely structured, dynamically varied, and melodically developed, it's also unpredictable, expansive, and densely layered. Every ISIS endeavor is an active listening experience -- requiring an aficionado's ear for subtlety and a scholar's grasp of the larger picture, but Wavering Radiant manages to provide instant gratification while also harnessing the slow burn of a classic, revealing the full extent of its mysteries only after repeated listens.

Rare is the record that finds the individual players as compelling as the sum of their parts, and ISIS has achieved just that. While the monolithic guitars of Aaron Turner and Michael Gallagher remain a primary fixture in the ISIS soundscape, the dueling instrumentalists continue to develop and expand upon their interplay. Together they evoke the emotional range of Wagner: brooding, triumphant, vengeful, and morose. Aaron Turner's vocals are more prominent than ever. But in keeping with the egalitarian nature of their art, the vocals continue to serve as flourishes rather than a focal point. Clifford Meyer's multi-instrumentation duties play a stronger role this time around as well. His atmospheric textures are still present, but he unlocks new horizons for the band with Fender Rhodes, electric organ, and the occasional psychedelic guitar lead. Jeff Caxide's bass playing still covers a broad spectrum, from providing melodic counterpoints to the guitars to conjuring Peter Hook's chorused bass leads. Wavering Radiant finally gives Caxide his due, allowing his various approaches to further accentuate the music's shifting moods while anchoring the melodies into the formidable rhythm section. And here drummer Aaron Harris once again shows his expansive depth in technique and ability. From esoteric tabla passages to authoritative syncopated punctuations, Harris transcends the basic metronomic function of the drum set to imbue the percussive element of the band with a heightened sense of drama and power. Wavering Radiant finds every component of the ISIS armory coming into equal play.

Grandiose without being over-indulgent, epic without compromising focus, ISIS have resurrected the art of prioritizing the album over the individual songs. Wavering Radiant, though divided into seven pieces, is essentially one composition. It's difficult to listen to the record without feeling the ghost of an era in rock music where musicians weren't afraid to take chances, weren't concerned with pandering to short attention spans, and weren't compelled compact their material into a radio-friendly format. With producer Joe Barresi (Queens of the Stone Age, Melvins, Enslaved) behind the boards, the recording displays a sonic range and tonal depth in perfect step with the broad range of the band's capabilities. This is an audiophile's dream: rich in headphone candy, goose-bump inducing in its crescendos, majestic in its beauty, humbling in its devastating power. If radio still exists in 30 years, Wavering Radiant is the kind of record that obsessive DJs will play in its entirety during their graveyard shifts. But the huddled mass of ISIS enthusiasts are already celebrating its arrival.


Panopticon

Panopticon Review



Japanese pressing of 2004 album. Daymare label.


Sunday, December 25, 2011

Red Sea

Red Sea Review



Isis' first official release, this 1999 EP shows off a few different facets of the band's hardcore/doom/sludge/metal style, which at this stage was already pretty impressive despite not yet having fully developed to the point it would on subsequent efforts. From the hateful screaming and dense guitar/bass sludge of "Charmicarmicarmicat Shines to Earth" to the pummeling riffs and downshifting grooves of "The Minus Times" and on through the discordant guitars and more stretched-out song structure of "Red Sea," the band's influences (some of which are plainly acknowledged in the liner notes) show through pretty clearly: the Melvins, Earth, Bastard Noise, Eyehategod, Soilent Green, Neurosis, Coalesce, etc. That it is to say, Isis is drawing on a who's who list of underground heavy-music gurus, and if this EP feels a little bit more like them "doing their homework" than a later album like Celestial does, it still outshines the work of many of their peers. The CD version of The Red Sea contains 21 minutes of additional, non-filler quality material taken from a 1998 demo, bringing the disc's total length up to 36 minutes. Thus, the CD is an especially good deal for Isis fans, though it should be of some interest to fans any of the above-mentioned groups, too. ~ William York, All Music Guide


Saturday, December 24, 2011

Suicide Girls - The First Tour

Suicide Girls - The First Tour Review



Now comes SuicideGirls: First Tour, a DVD featuring the unique mix of punk and burlesque that made the SuicideGirls first national tour such a hit with audiences. Beyond the stage performances, this DVD follows the women along for an intimate behind-the-scenes look at life in the van, along with exclusive video fantasies conceived and performed by the touring company. The millions who have already discovered SuicideGirls will have to own their first appearance on DVD, while new fans will be curious to see what all the buzz is about.


Friday, December 23, 2011

True Music: Say Anything, Hot Rod Circuit, Isis, Sunk Loto

True Music: Say Anything, Hot Rod Circuit, Isis, Sunk Loto Review



True Music is packed with tunes from four aspiring bands. Today`s line up includes punk rock bands `Say Anything` and `Hot Rod Circuit.` Plus heavy sounds from `Isis` and Australian rockers `Sunk Loto.`

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.


Wednesday, December 21, 2011

Sgnl-05

Sgnl-05 Review



From the intriguing opening sound textures of SGNL>05, one wouldn't imagine that this gentle stream would evolve into a grand work of nu-metal mastery. Here, Isis weaves a beautiful tapestry of lilted piano set deep into the mix of a windswept field recording, but it doesn't take long for the band to turn the world on its ear. SGNL>05, a five-track EP, is the extension of the earlier Celestial record. Lead vocalist and guitarist Aaron Turner's growl may sound clich in this form, but SGNL>05 quickly proves that it isn't the work of some bored, depressed high school band. Rather, it's an intensely emotional and intelligent piece of theatrical metal music. Tribal influences leak in on "Divine Mother" as the sounds are drawn out in epic proportions. Synthesizers flit about in the background and noise paints the rest of the very stormy picture. The seething guitars of Turner and Mike Gallagher trudge onward in a jarring, direct, and tight fashion. Though tracks like "Beneath Below" and "Constructing Towers" do tend to get a bit repetitive, the album on the whole is quite succinct and impacting. Rarely do industrial rock records take listeners on such a journey as this. Sounds ebb and flow, creating lush textures, only to be met with the most excruciating instrumentation that eventually culminates in a beautiful, multi-layered ambient recording. That final track, a remix of the original "Celestial (Signal Fills the Void)" by Justin K. Broadrick (of Godflesh), serves as a darkly mechanical ending to this fine EP. ~ Ken Taylor, All Music Guide


Monday, December 19, 2011

Fire in Our Throats Will Beckon the Thaw

Fire in Our Throats Will Beckon the Thaw Review



With their newest epic, Pelican bring on new levels of complexities to their already distinctive auditory stamp. Acoustic guitars take their place beside the group's traditional (read: highly amplified) power-droning and awe-inspiring instrumental anthems. Whether this signals the end of the underground musical landscape as we know it, or the beginning of a new one is anyone's guess. Luckily, it rules either way. They've toured with Low, Tortoise, Isis, Mono, Cave In, Daughters, The Bronx, A.R.E., Weapons, US Maple, and more. Hydra Head. 2005.


Sunday, December 18, 2011

Isi Life Mein...!

Isi Life Mein...! Review



Isi Life Mein...! by Akshay Oberoi & Sandeepa Dhar

This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.


Saturday, December 17, 2011

Unsportsmanlike World

Unsportsmanlike World Review



Unsportsmanlike World by Isi Vaamonde

This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.


Thursday, December 15, 2011

In the Fishtank 14

In the Fishtank 14 Review



In the Fishtank 14 Feature

  • Jazz/Improvised, Rock
"In The Fishtank" is an ongoing project of Konkurrent, an independent music distributor in the Netherlands. Chosen musicians are given two days studio time and freedom to do whatever they like musically. On this edition, while both bands are known for their love of metal and post-hardcore with an experimental and spherical approach, they not only show these skills here, but they also add an impressively high level of purity, roominess, and emotion. It's the analog warmth that makes the songs tender, organic, imminent, and fragile.


ISIS EN DIRECTO

ISIS EN DIRECTO Review



01.-SOLITARIO 02.-ME HAS OLVIDADO 03.-MAS DE 30 ANOS 04.-FLOR DE HIEL 05.-EN CADA LATIDO 06.-SI TU TE VAS 07.-DIGAME COMPADRE 08.-SINRESPUESTA 09.-SI ESTUVIERAS AQUI 10.-PERDIENDO LA CABEZA 11.-BLANCA ESTRELLA 12.-ALGO DE TI 13.-DISPUESTO 14.-PEQUENA Y FREGIL 15.-I'LL TRY 16.-LED ZEPPELIN COLLAGE 17.-LA GRANJA-L.A WOMAN


Tuesday, December 13, 2011

Live II 03.19.03

Live II 03.19.03 Review



Live II 03.19.03 by ISIS

This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.


Monday, December 12, 2011

In the Absence of Truth [Vinyl]

In the Absence of Truth [Vinyl] Review



Recent re-press of this sought-after 2xLP after the first press sold out in less than one week.The logical expansion of ISIS' multiple personalities yield "In The Absence Of Truth", their latest monster full-length. It only makes sense that the 'atmospheric' parts are even more haunting (yet, uplifting) and the 'heavy' parts are even more brutal and crushing. However, it's hardly an album of polar opposites, with the fluidity only achieved by a band who's been consistently developing like this for nearly a decade now. The increased amount of actual singing really makes a difference on the more mellow moments, but widespread experimentation with new elements reaches far beyond the vocals here. Appropriate usage of unique tones, leads and overall surprising song-structures culminate with nine tracks of ISIS' most impressive work to date. "In The Absence Of Truth" really is an astounding album, with a maturity displayed that leaps from their past into amazing uncharted waters of heaviness. Robotic Empire is honored to supply this gatefold, double-LP vinyl edition of ISIS' latest masterpiece.


Saturday, December 10, 2011

Imagine Me - Personalized just for Isis - Pronounced ( Eye-Sis )

Imagine Me - Personalized just for Isis - Pronounced ( Eye-Sis ) Review



The Imagine Me CD is Personalized just for Isis. It takes Isis on a fun adventure filled with imagination. Why not sail above the clouds as Isis the Airplane Pilot or Chug-A-Lug through a mountain pass as Isis the Train Engineer. Isis is the Teacher that helps children learn their A, B, C's. Or how about being a Dentist who helps other children keep their teeth clean. We can't leave out fun things like being a Circus Clown flying through the air under the Big Top. Remember Mary Poppins? Her best friend was Isis the Chimney Sweeper. Or Isis will save the day as our favorite Firefighter. Has Isis ever wanted to live on a farm? Why not.... as Isis the Farmer. There is a special puppy named Lunchbox; he and all his friends will sing Happy Birthday just for Isis. When Christmas rolls around, Santa will send Isis a special message. What a great time Isis will have Imagining all kinds of wonderful adventures. Every song on this 20 minute CD is Personalized just for Isis with the pronunciation of ( Eye-Sis ). If this isn't the right pronunciation for your child, just look for another way of spelling the same name and you'll find the right pronunciation. Enjoy, from your friends at Personalized Kid Music.

This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.